All Morris, William Oil Paintings

English Pre-Raphaelite Writer and Designer, 1834-1896 English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites.
 

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Morris, William Queen Guenevere oil on canvas


Queen Guenevere
Queen Guenevere
Painting ID::  19551
  1858 Oil on canvas Tate Gallery, London.
  1858 Oil on canvas Tate Gallery, London.

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Morris, William Queen Guinevere (mk22) oil on canvas


Queen Guinevere (mk22)
Queen Guinevere (mk22)
Painting ID::  22813
  1858 Oil on canvas,72 x 50 cm London,Tate Gallery
  1858 Oil on canvas,72 x 50 cm London,Tate Gallery

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Morris, William Queen Guenevere oil on canvas


Queen Guenevere
Queen Guenevere
Painting ID::  28271
  1858 Oil on canvas 71.3 x 50.7 cm (28 1/8 x 20 in) Tate Gallery London (mk63)
  1858 Oil on canvas 71.3 x 50.7 cm (28 1/8 x 20 in) Tate Gallery London (mk63)

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Morris, William Study for The Flight of Night oil on canvas


Study for The Flight of Night
Study for The Flight of Night
Painting ID::  31947
  mk77 1878 Oil on chalk on canvas 62x99in
  mk77 1878 Oil on chalk on canvas 62x99in

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Morris, William Ariadne oil on canvas


Ariadne
Ariadne
Painting ID::  53441
  mk231 1870
  mk231 1870

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     Morris, William
     English Pre-Raphaelite Writer and Designer, 1834-1896 English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites.

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